On his fourth album, She's the Best, Troye Sivan's elusive search for connection finds him languishing in the party's ...

At Comerica Park, Detroit's original punk provocateur Iggy Pop turned a supporting slot into a confrontation between rock's ...

Haunting and exotic, Visions of Nar's second record, Awakening, takes us on a tone-colour trek across cultures. It's a ...

On Through to Us, Matthew O'Neill names his more-than-human contributors by species, and crafts an album whose purpose is to ...

Where Blodtår differentiate themselves, especially on their new record, is in how they open up melodic Swedish black metal ...

On DIGITiSE, HAAi implores us to step back from the digital world and get deep down and dirty on the dancefloor with a set of wildly inventive and thrilling tracks.

Years after his untimely departure, David S. Ware remains one of free jazz's most versatile tenor saxophonists. We delve into ...

If you want a documentary that is more entertaining than educational, John Wilson’s The History of Concrete is a legit good ...

Poh Si Teng’s American Doctor works as emotionally charged hard news about trauma doctors in Gaza, but not as an analysis of ...

Jack White adds an intimate show at the Fillmore to precede a bigger show downtown, blasting the City by the Bay with a ...

Shades of new wave and disco are especially strong on Girl Ultra's RRRomeo, and the producers use them to create innovative, ...

Mr Eazi's last album took two years, nine cities and 16 commissioned paintings. "Comfort" runs two minutes and 26 seconds and ...